Our Little Sister (2015)

Sochi, Yoshino and Chika are three sisters who live together in a large house in a seaside town. Abandoned by their father 15 years ago after an affair, they have settled into a relaxed existence, when news of their father’s death and impending funeral reach them. On attending the funeral they meet their younger half sister, Suzu, for the first time and invite her to live with them. Suzu decides to move town and live in their house, beginning a new school and new life with her older sisters. The story shows us a little of each of their lives and how they work together to support each other.

Written and directed by Hirokazu Koreeda (I Wish) the film moves at a relaxed pace with a sense of realism, shying away from melodrama, as we see the everyday trials of the sisters. Their interactions seem perfectly natural, helped by the fantastic acting of all the leads and supporting cast, Haruka Ayase, Masami Nagasawa, Suzu Hirose and Kaho. The characters are all likeable with distinct personalities. Rather than watching a standard plot unfold, instead it feels as though we are simply spending time with them, as we see them cooking, eating, working or at school, and it is intriguing to see what happens. Each character is given their own arc and the film is paced to give everyone just enough time to develop. The direction is likewise calm and measured, with beautifully composed shots, and the fantastic settings, such as the old house and the seaside town, used to full effect in capturing a sense of place.

A subtle examination of family life and sisterly affection. Amazing direction and acting make this an enjoyable experience.

Oppai Volleyball (2009)

5 Junior High School boys share the same dream. Of touching, or even seeing a pair of breasts. When a new young female teacher, Mikako Terashima, is put in charge of their volleyball team they make her a deal: If they win a game in the upcoming tournament she will show them her breasts. The only problem is that they’re hopeless at volleyball,  having never played or even trained before. But with this fantastic reward ahead of them the boys suddenly find a renewed will to train hard and persevere. The film also looks at the life of their teacher and her reasons for moving to a new school and her passion for education.

The film works well as a light high-school comedy. Plenty of jokes and a good summer soundtrack. Mikako’s story is intended to add a sense of drama to the story with her contemplations on her career. This does add an element of gravitas to the largely frivolous story, but at times seems an unusual contrast. The film captures the youthful spirit and the jokes are funny, albeit mostly on the same theme. The acting is also solid from Ayase Haruka, as the overwhelmed teacher, and the boys, who deliver their lines with real zeal.

Oppai Volleyball (or Boob Volleyball) great feel-good summer sports film with an unusual MacGuffin (or pair of MacGuffins) providing a look at the humorous side of adolescence and education. Teaching us, in a roundabout way, that working hard for a goal you believe in is a noble thing.

Based on a novel by Mizuno Munenori.

Cyborg She (2008)

When hapless loner Jiro is met by a beautiful young woman on his birthday he cannot believe his luck. After a night of hijinks, the mysterious stranger tells him that she has travelled from the future and must now leave. A year later, the same woman walks back into his life and he discovers that she is a cyborg, sent back by his future self to protect him.

The premise is about as silly as they come, but the film-makers manage to weave an emotional story between the more outrageous comedy. As you might expect there are plenty of slapstick moments involving the robot, such as her malfunctioning after drinking alcohol, or slamming various men into walls when they try to touch her. Haruka Ayase gives a great central performance as the cyborg, perfectly capturing the robotic motions while managing to exude a degree of charm and humour. Along with Keisuke Koide, who plays the bumbling geek Jiro, they are a good comic partnership, with his ineptitude matched by her cold confidence and attempts to learn how to be a human. There are moments that go beyond ridiculous such as the cyborg running at impossible speeds, and as usual the time-travel paradoxes are best not to think about too hard. I was most surprised by the films tender moments, especially the scene where Jiro is taken back to his childhood. The film almost stops while we explore this past world and the music and direction create a poignant vignette of childhood memories. The main issue here is that the tone swings wildly from slapstick to sentimental, occasionally such a drastic change as to feel like a separate film. Writer and director Kwak Jae-yong  has cobbled together something bizarre and abstract, heavily influenced by science-fiction and romantic comedies that have gone before, that nevertheless is strangely enchanting. There are scenes reminiscent of Terminator and Star Wars, and the entire plot is a sort of mix-tape of greatest hits moments from other love stories. Some great special effects work, stunts and larger scale action sequences, make this an enjoyable watch. But throughout there is a clear focus on characters and story that is heartfelt.

This film surprised me with its quality as from the title (Japanese: My Girlfriend is a Cyborg) and premise, you might expect a cheap knockabout comedy, with gags about her not fitting in. While this is partly true, there are some genuinely amusing scenes and a real warmth to what they are attempting here. I feel as though the film was misnamed because at its heart it is a film about the past, rediscovering lost memories, love and loneliness, and a whole collection of things that aren’t quite captured in the comedy title. A good romantic comedy with science-fiction elements that is unexpectedly impactful in emotional content.