The film begins with a woman being tried for the abduction of a baby four years earlier whom she has until this point raised lovingly as her own. The real mother of the child is distraught but the woman, Kiwako, seems to show no remorse for her actions. Jumping forward to her early twenties, the young child, named Erina, is continuing normally with her life when she is befriended by Chigusa, a young woman of a similar age who seems to know a lot about her. The film moves back and forth to tell the story of Kiwako and the child she abducted, renamed Kaoru by her, and the adult Erina who is trying to find her own way in life.

This film is expertly plotted with a lot of well-thought out characters which resonate with each other, particularly the figures of Erina’s father and her much older lover. Similarly a contrast seems to be drawn between the real mother Ritsuko and Kiwako. The story is driven by a number of twists and reveals and relies on some powerful acting by the main cast which really helps show their thought processes. The music is light and fits well with the films quiet contemplative mood and the cinematography is first rate. The scenic shots in particular are fantastic.

This film is an interesting watch and throws up many ideas about relationships, in particular maternal affection. Covering everything from loss, infidelity and abortion this film is careful not to be overly bombastic but to portray things fairly realistically which in turn makes it more powerful. Deserves the praise it was lauded with on release this is an incredibly gripping drama.

Based on the novel by Mitsuyo Kakuta.

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