Two co-workers at a small electronics company travel together to a Paul McCartney concert at Tokyo Dome. One of the men is a humorous, talkative individual, the other sits in stoic silence, eyes fixed on the road. As the film progresses we cut back to the life of this quiet individual as he goes about his daily routine, watering plants, working at his monotonous job, listening to news stories of terror attacks and disasters, and thinking about a former life.
Written and directed by Hirofumi Watanabe the film has many hallmarks of an indie feature. Shot in black-and-white, long static camera takes. The film drags the audience into the tedium of the protagonists life. This is far from an easy watch as you almost begin to feel the oppressive weight of this on him. These lengthy sequences are broken up by the scenes of his car journey as his companion continues to ramble on about The Beatles, Bob Dylan, music fans, and other interconnected topics.
This is not a film that immediately endears itself to the audience. In fact it almost goes out of its way to do everything to turn you off watching. But there is something strangely intriguing about it. Perhaps because of the almost offensively boring nature of certain scenes it makes you think about what is happening. What is the significance of the radio stories to this man? What is it he wants from life? What does he feel about the concert he is driving to? What happened in his past? The film offers few answers but it does draw the character realistically enough that you can assume that there are answers. Certainly not for everyone, but if your patience allows and you are a fan of slow-burn human dramas with a humorous tinge, it is worth a watch.